Presentation CANVASES THROUGH TIME GOLD IN ART CREATIVE GEOMETRY ARCHITECTURE Design HISTORY Contact & Information
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ARCHITECTURE & INTERIOR DESIGN

COLLABORATION WITH THE GHIAÏ OFFICE: CREATION AND INFLUENCE IN ROYAL ARCHITECTURE

In 1972, Ali Adeli joined Heydar Ghiaï, one of the most renowned architects in Tehran during the 60s and 70s, known for his significant projects, particularly for the royal family. His talent quickly caught the attention of the monarchy, especially after one of his perspectives for a royal palace was kept by the Shah in his personal office.

Although this project was executed within the Ghiaï office, it was under the supervision of Ali Adeli. This royal recognition marked a turning point in his career. He later became an artistic advisor and interior architect, adding his personal touch to several iconic projects, blending functionality with aesthetics.

 

 

 

 

 

 

Hand-Drawn Perspective
Project for the Shah’s Palace
1973 / Tehran – Iran

In 1974, he met Firouz Anssari, the son of an Iranian ambassador close to the royal family. He proposed to Ali Adeli to open an interior architecture office as a partner. While one would handle business relations, the other would oversee the projects.

Meanwhile, the office’s focus expanded to include more contemporary projects, such as designing a hospital, bars and restaurants, various offices, and several villas for the royal family, all at the forefront of architectural innovation.

In less than a year, their office became a leader in interior architecture in Tehran.

Hand-Drawn Perspective
Project for a Contemporary Office
1975 / Tehran – Iran

One of Ali Adeli’s notable achievements was the design of a villa for Shams Pahlavi, the older sister of the Shah of Iran. During the completion ceremony, Shams Pahlavi visited the villa to appreciate the final result.

Passionate about architecture and interior design, Shams Pahlavi had a history of collaborating with European architects, particularly Italians. However, upon discovering the villa, she was so impressed that she immediately wanted to meet the architect behind this work. While Ali Adeli was overseeing the final touches in the garden, he was called to join the ceremony and had the opportunity to meet her in person.

When Ali Adeli met Shams Pahlavi, she expressed her deep admiration for his work and shared her desire to entrust him with new projects. She specifically proposed the design of ten guest villas in Chalus, as well as a large-scale project in Spain prestigious commissions that promised to be a turning point in his career.

However, this period of recognition was short-lived. Before these opportunities could materialize, the revolution broke out, disrupting the course of events.

THE BEGINNING OF A NEW WESTERN ERA

In 1982, Firouz Anssari suggested that Ali Adeli leave Iran and settle in Europe. After undertaking a clandestine journey to escape the war, Ali arrived in Italy before moving to Geneva, where he was introduced to Marover SA, a design company looking for an interior architect.

This encounter marked the beginning of his European career, with architectural projects in Switzerland, where he started to establish his expertise beyond Iran’s borders.

RENEWAL AND CREATION: THE RISE IN THE UNITED STATES

In 1986, Ali Adeli traveled to the United States with the goal of revitalizing his career in interior architecture and design. Upon arriving in California, he quickly caught the attention of "J.P. Barich and Suzanne Dahl," a company specializing in creating sets for Hollywood. Impressed by his work, they entrusted him with the design of several sets, including those for the famous TV series "Dynasty," a prestigious project that required a perfect mastery of perspective and aesthetics. Ali Adeli stood out for the exceptional quality of his drawings, which combined creativity with technical precision.

The perspectives he created for these projects were not only noticed within the industry but were also included in the company's official catalog, distributed across the West Coast of the United States. This allowed his work to be exposed to a wide potential clientele, further solidifying his reputation in the world of Hollywood design.

Hand-Drawn Perspective – Hollywood Film Scene
Project for P. Barich & Suzanne Dahl Company
1986 / Los Angeles, USA

BACK TO THE ROOTS OF TRAGEDY: ALI ADELI'S "PARK MINIATURE" PROJECT

Between 1993 and 1997, after twelve years of absence, Ali Adeli returned to Iran, a country in the midst of reconstruction under the presidency of Rafsanjani.

He was quickly spotted by two developers to reinvent the design of a tower in the Fereshteh neighborhood of Tehran.

The project, named "Park Miniature," was still in its foundation phase when the developers decided to entrust the project to Adeli, who completely redesigned the facade and the interior.

His technical office was set up on-site, and he also oversaw the creation of two penthouses in the same Park Miniature tower for the developers.

Sadly, in September 1997, at the age of 51, a tragic car accident took his life, just a few weeks before the completion of the project.

Park Miniature Tower
Façade under construction
1995 / Tehran - Iran

Located in the renowned Fereshteh neighborhood of Tehran, the Park Miniature Tower remains one of the city’s most prestigious landmarks, nearly three decades after its construction.

Its unique architecture and prime location in this upscale district continue to grant it exceptional status in Tehran's urban landscape.