CREATIVE GEOMETRY
Fascinated by the interplay of shapes and perspectives, and inspired by his admiration for Victor Vasarely, the pioneer of Op Art, Ali seeks to push the boundaries of geometry and visual perception.
With this goal in mind, he continues his exploration by creating a plaster bas-relief, sculpted on a fabric-covered support, where he incorporates interwoven geometric shapes.
At the center of the artwork, a cube in perspective becomes the starting point for a deeper study of three-dimensional geometry. The cube’s distorted facets, influenced by the angle of view, become the key element that will guide his future work, paving the way for his Adeli Création series.
This bas-relief marks a major turning point in his artistic journey and inaugurates a new line of creation that explores geometry in an innovative way.
This return to art also marks the beginning of a new creative phase, nourished by his years of study at the School of Decorative Arts and his immersion in architecture.
He then applied layers of lacquer in various colors as a second step, after carefully preparing the graphic composition in the form of a sketch.
This lacquer work, executed with great precision, gives each painting a subtle shine, making each piece an extension of the space’s architecture. The shape of the artwork thus becomes dynamic, changing depending on the angle at which it is placed against the wall, offering a different perception with each observation.
The originality of Ali Adeli’s paintings lies in their ability to captivate the eye while blurring the boundaries between art and architecture. He managed to create an immersive visual experience where form, color, and texture intertwine to produce an illusion of depth, movement, and volume.
His series of geometric paintings, a true homage to the precision of architecture and the fluidity of abstract art, embodies the perfect harmony between technique and creative expression.
Beyond individual works, Ali Adeli had the idea of a transferable concept. His line, with its geometric shapes and play of perspectives, could be applied to any decorative object. Whether it was mirrors, tables, light fixtures, or other everyday items, he saw every surface as an opportunity to integrate his unique visual language. He didn’t limit himself to creating paintings; he aimed to redefine interior spaces by enriching them with his works, thereby giving an artistic dimension to functional objects.
Each piece, whether decorative or functional, had to carry his visual signature, instantly recognizable at first glance, so that people could say, “That’s Adeli.” This desire to create a distinctive and immediately recognizable artistic style reflected his ambition to merge art and design in an indelible way.
EXPOSITIONS
GEOMETRIC ART SERVING INDUSTRY
Design of the Eurogodel Stand at Batimat Exhibition
1992
Paris - France
This shift towards industry only expanded Ali Adeli’s horizons, as he successfully made his artistic language engage with the technical and aesthetic demands of the design world.
Each project, whether for an individual or a major brand, bore the imprint of a universe where art blended with architecture and design, thus establishing a unique and recognizable signature.
